The Hollywood Reporter has a good piece on Trump’s proposed movie tariffs:
Even if such a tariff were legal — and there is some debate about whether Trump has the authority to impose such levies — industry experts are baffled as to how, in practice, a “movie tariff” would work.
“What exactly does he want to put a tariff on: A film’s production budget, the level of foreign tax incentive, its ticket receipts in the U.S.?” asks David Garrett of international film sales group Mister Smith Entertainment.
Details, as so often with Trump, are vague. What precisely constitutes a “foreign” production is unclear. Does a production need to be majority shot outside America — Warner Bros’ A Minecraft Movie, say, which filmed in New Zealand and Canada, or Paramount’s Gladiator II, shot in Morocco, Malta and the U.K. — to qualify as “foreign” under the tariffs, or is it enough to have some foreign locations? Marvel Studios’ Thunderbolts*, for example, had some location shooting in Malaysia but did the bulk of its production in the U.S, in Atlanta, New York and Utah.
…“The only certainty right now is uncertainty,” notes Martin Moszkowicz, a producer for German mini-major Constantin, whose credits including Monster Hunter and Resident Evil: The Final Chapter. “That’s not good for business.”
A movie producer is quoted on the bottom line:
“Consistent with everything Trump does and says, this is an erratic, ill conceived and poorly considered action,” says Nicholas Tabarrok of Darius Films, a production house with offices in Los Angeles and Toronto. “It will adversely affect everyone. U.S. studios, distributors, and filmmakers will suffer as much as international ones. Trump just doesn’t seem to understand that international trade is good for both parties and tariffs not only penalize international companies but also raise prices for U.S. based companies and consumers. This is an ‘everyone loses, no one gains’ policy.”
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